(Source: lavandula, via the-moth-princess)

(via fairyhearts)

oblyvian:

Mother Bunny and her children on a beautiful spring day o u o
I haven’t been able to draw lately because my week has been super duper hectic! But I’m free now! FREEEEEEEEEEEEEEEEEE

oblyvian:

Mother Bunny and her children on a beautiful spring day o u o

I haven’t been able to draw lately because my week has been super duper hectic! But I’m free now! FREEEEEEEEEEEEEEEEEE

(via fairyhearts)

(Source: thesteward, via lesrosiers)

(via pearls-and-empty-rooms)

courtroyale:

Portrait of Madame du Barry dating 1769, mistress of Louis XV
(C) RMN (Château de Versailles) / Gérard Blot

courtroyale:

Portrait of Madame du Barry dating 1769, mistress of Louis XV

(C) RMN (Château de Versailles) / Gérard Blot

(via theforgotten-castle)

(Source: piacevole, via theforgotten-castle)

(Source: mynameisrubyframe, via lesrosiers)

(Source: mnemosyneindust, via audreyhepburncomplex)

a-l-ancien-regime:

Louis Rolland Trinquesse- The Letter

a-l-ancien-regime:

Louis Rolland Trinquesse- The Letter

a-l-ancien-regime:

Jean-Marc Nattier (1685–1766)  Portrait of Marquise D’Antin , exhibited at the Salon of 1738
Christian Louboutin was inspired by this painting to create this picture http://a-l-ancien-regime.tumblr.com/post/12547863420/christian-louboutin-fall-2011-lookbook-by-peter
Here you can see more Christian Louboutin Fall 2011 Lookbook Inspired By Classic Paintings!

a-l-ancien-regime:

Jean-Marc Nattier (1685–1766)  Portrait of Marquise D’Antin , exhibited at the Salon of 1738

Christian Louboutin was inspired by this painting to create this picture http://a-l-ancien-regime.tumblr.com/post/12547863420/christian-louboutin-fall-2011-lookbook-by-peter

Here you can see more Christian Louboutin Fall 2011 Lookbook Inspired By Classic Paintings!


a-l-ancien-regime:

Circle of Joseph Highmore (1692-1780)
“Daughters of Crisp Molineaux, Elizabeth, afterwards Lady Barnaby”, portrait of two girls, three-quarter length, each standing, one in ivory, the other in pink satin dress, holding a floral garland, a doe behind, draped landscape background
The artist studied at Kneller’s Academy and was a polished portraitist by the 1720’s. After 1730, his work became more Rococo in its style. From 1743 to 1744, he made a series of twelve illustrations for his friend, Samuel Richardson’s novel Pamela. In 1762, Highmore abandoned painting, retiring to Canterbury and devoted himself to writing.

a-l-ancien-regime:

Circle of Joseph Highmore (1692-1780)

“Daughters of Crisp Molineaux, Elizabeth, afterwards Lady Barnaby”, portrait of two girls, three-quarter length, each standing, one in ivory, the other in pink satin dress, holding a floral garland, a doe behind, draped landscape background

The artist studied at Kneller’s Academy and was a polished portraitist by the 1720’s. After 1730, his work became more Rococo in its style. From 1743 to 1744, he made a series of twelve illustrations for his friend, Samuel Richardson’s novel Pamela. In 1762, Highmore abandoned painting, retiring to Canterbury and devoted himself to writing.

a-l-ancien-regime:

Painting of Charles and Robert Montgolfier at the Tuileries 1 december 1783, anonymous, musée Carnavalet, Paris

a-l-ancien-regime:

Painting of Charles and Robert Montgolfier at the Tuileries 1 december 1783, anonymous, musée Carnavalet, Paris

(Source: overheardparis18e.blogspot.com)

a-l-ancien-regime:

Portrait of Maria Adelaide of France, daughter of Louis XV dressed as Diana (1745)
Jean-Marc Nattier 

a-l-ancien-regime:

Portrait of Maria Adelaide of France, daughter of Louis XV dressed as Diana (1745)

Jean-Marc Nattier